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Nils Kreuger
akarstartation vid tegelbacken
stockholm
1899
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Nils Kreuger
stockholms strom fran fjallgartan
1925
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Nils Kreuger
korna mjolkas i serien
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Nils Kreuger
hastarna for raglasset var en av de fem planscher som ingick i serien
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Nils Kreuger
detalj av emblemet pa konstnarsforbundets sammantradesbord
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Nils Kreuger
le petit caporal
1893
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Nils Kreuger
louis le grand
1893
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Nils Kreuger
drottning kristina
1918
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Nils Kreuger
karl ix
1917
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Nils Kreuger
gustav ll adolf
1918
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Nils Kreuger
pa olands alvar i solnedgangen
1904
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Nils Kreuger
hastar pa alvaret
1904
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Nils Kreuger
midsommar
1905
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Nils Kreuger
midsommar
1905
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Nils Kreuger
midsommar
1905
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Nils Kreuger
Material and Dimensions
Material and Dimensions: Oil on canvas, 52.5 x 81 cm
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Nils Kreuger
Material and Dimensions
Oil on canvas, 52.5 x 81 cm
Date 1886(1886)
cyf
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Nils Kreuger
Middagsrast
Date 1917(1917)
Medium Oil
Dimensions 24.5 x 35.5 cm (9.6 x 14 in)
cjr
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Nils Kreuger
Labor - horse pulling a threshing machine
Date 1884(1884)
Medium Oil on panel
Dimensions 37 x 27 cm (14.6 x 10.6 in)
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Nils Kreuger
Autumn Varberg
Oil on canvas, 32 x 41 cm
cyf
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| Nils Kreuger
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Swedish, 1858-1930,Swedish painter, draughtsman and illustrator. From 1874 he studied at the Konstakademi in Stockholm, where he soon became a friend of Richard Bergh and Karl Nordstrem, both of whom were later prominent exponents of the more advanced Swedish painting of the 1880s and 1890s. After being forced to interrupt his studies because of illness, Kreuger trained from 1878 at the art school of Edvard Perseus (1841-90) in Stockholm before he travelled to Paris, where he stayed for the most part until 1887. He made his d?but at the Paris Salon in 1882, and he also resided in the artists' colony in Grez-sur-Loing. During this period he painted such works as Old Country House (1887; Stockholm, Nmus.) with a free brushwork and sense of light that owed much to Jules Bastien-Lepage. In 1885 Kreuger was active in organizing the Opponenterna, a protest movement led by Ernst Josephson against the conservative establishment of the Konstakademi in Stockholm, and the following year he helped to found the Konstn?rsf?rbund (Artists' Union). Like the majority of the Konstnersferbund's members, Kreuger abandoned the French-inspired plein-air realism of the 1880s for symbolically coloured National Romanticism in the 1890s. For Kreuger this change took place between 1893 and 1896 in Varberg on the west coast of Sweden, where, together with Bergh and Nordstrem, he founded the Varberg Group. Drawing on Paul Gauguin's Synthetism, the group contributed to the formation of the National Romantic style of the 1890s in Sweden. Kreuger's encounter with van Gogh's drawings at an exhibition in Copenhagen in 1893 also played a decisive role in his development. He devised an intensely personal style in which the landscape was composed in large blocks that were then covered by a pattern of directional lines and dots in India ink (somewhat in the manner of van Gogh's late landscape drawings) to bring out the painting's colour values and create an effect of decoratively stylized forms: for example Spring in Halland (1894; Stockholm, Nmus.). Kreuger was also a prolific draughtsman and illustrator.
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